Why I Do Not Travel

There are people whose souls awaken at airports.

People who feel restless unless they are planning a trip, booking tickets, standing in immigration queues with headphones on and a passport in hand, convinced that somewhere else — another city, another country, another landscape — life will briefly become more meaningful than the one they currently inhabit.

I have never been one of them.

And for a long time, I wondered if there was something wrong with me because of it.

People around me speak of travel with almost religious intensity. The guys, my mother, my cousin, well, my family, I would say, has that unmistakable “keeda” of travel in them — that hunger to move, to see, to constantly experience new places. I admire it in them. Sometimes I even envy it. I wish I possessed that same excitement at the thought of boarding a plane and disappearing into another country for ten days.

But I don’t.

And I think I finally understand why.

The truth is, I travelled extensively long before I ever considered physically travelling anywhere.

I was a child who read compulsively. History, geography, mythology, politics, anthropology, climate, architecture, literature — I consumed the world through books before social media turned travel into curated montages and aesthetic performances.

I did not merely learn where places existed.

I absorbed their emotional texture.

I read about ancient civilisations, wars, migrations, cathedrals, droughts, changing coastlines, empires collapsing under their own arrogance, cities reshaped by climate and greed. I read about the loneliness of industrial Europe, the silence of old libraries, the smell of rain on African soil, glaciers disappearing, forests burning, rivers shifting course.

I learnt about places not merely as tourist destinations, but as living things shaped by history, violence, weather, memory and human failure.

And perhaps because of that, I never developed the overwhelming urge to “tick off” landmarks from a bucket list.

The Statue of Liberty does not call out to me.
Neither does the Louvre.
Nor the Sistine Chapel.

Of course, there is something profound about standing where Michelangelo once stood. About touching marble another human being shaped centuries ago and whispering quietly to yourself:
“I was here too.”

But he is gone.

The moment is gone.

And strangely, that has always mattered more to me than the monument itself.

I also think my relationship with people complicates travel.

I do not hate humanity. Human beings have also given me poetry, music, cinema, friendship, love and tenderness. I write because of people. I paint because of people. I speak because of people. I care because of people.

And yet people exhaust me.

Their arrogance.
Their prejudices.
Their casual cruelty.
Their certainty about things they barely understand.

Even I irritate myself sometimes.

I can spend hours quietly creating something meaningful — writing, painting, photographing, dancing, caring for animals — and still one unnecessarily rude interaction can poison an entire experience for me.

The other day at the gym, a man was rude for absolutely no reason. I became angry and upset. I could have caused a scene. Perhaps he deserved one. But then the entire space would have become emotionally contaminated for me. It would stop feeling peaceful.

That is what people often do to places.

Online trolls ruin platforms.
Bigotry ruins cities.
Racism ruins entire countries.
One ugly interaction stains what could otherwise have been a beautiful memory.

And travel demands people.

You must coordinate with them, negotiate with them, tolerate them, trust them, explain yourself to them. Airports, hotels, immigration counters, tourists screaming into phones while standing before thousand-year-old monuments, strangers carrying their entitlement into every corner of the earth.

Perhaps I am too sensitive for modern travel.

Or perhaps I simply no longer romanticise movement the way the world expects us to.

The irony is that I did once have a great travel dream.

Africa.

Since childhood, I have dreamt of witnessing the wildebeest migration across the Serengeti and Maasai Mara. That ancient dark river of bodies moving across the earth as they have for thousands of years before human borders existed.

Animals have always moved me more deeply than monuments ever could.

But even that dream now rests quietly in the background of my life instead of burning brightly inside me.

And then there are my children.

The impossible ache of leaving them behind.

People say, “They’ll be fine.”

But they do not understand what love begins to look like after years of routine, grief, healing and attachment.

Zoe and Xena would wait by the door. Like Zoe, Zuri stops eating when her routine changes. Her stomach reacts if I am absent during her walks or feeding times. Their emotional lives are intertwined with mine, and mine with theirs.

I cannot casually hand them over to someone else and fly across the world pretending my heart has remained peaceful.

People speak of freedom as movement.

But love roots you.

And perhaps that is what happened to me.

I built a life where meaning did not exist somewhere else.

It exists here.

In my dogs sleeping beside me.
In old films.
In books.
In late-night conversations.
In rain against the window.
In creativity.
In survival.
In memory.
In familiar streets I know how to emotionally navigate.

And maybe that is the real reason I was never bitten by the travel bug.

I do not feel the desperate need to escape my life.

Vacations, for many people, are temporary relief from lives that feel emotionally lacking, repetitive or disconnected. But my life — with all its flaws, griefs, anxieties and imperfections — has never felt empty to me.

It has felt full.

Deep rather than wide.

And I know that is enough.

Love Never Lets Go

Tonight is not the last night.

And yet, it feels like it is.

Tomorrow morning, at 6:30, I will take what remains of Xena — her ashes, the last physical truth of her presence — and I will give them back to the sea. I know what that means. I have lived long enough, loved deeply enough, to understand the symbolism of it. Release. Return. Completion.

But knowing does not soften it.

It only sharpens the ache.

This week, the world around me has been full of beginnings. New years, new moons, new prayers. Gudi Padwa. Navroze — my mother’s day of joy. Cheti Chand for Anand. The end of Ramzan for Arif. Eid tomorrow.

Everywhere I look, people are stepping into light.

And I am standing here, holding on to ash, memory and grief.

I am not untouched by the beauty of these days. I see it. I respect it. Somewhere within me, I even honour it. But I cannot enter it. I cannot perform joy when my hands are still trembling with grief. I cannot send out cheerful messages as though something inside me hasn’t been quietly breaking, again and again.

Because this is not just about tomorrow.

Tomorrow, when I let Xena go, I will also be letting go of Zack. Not literally — I know that. But something final will close. Some last physical tether will dissolve. And I will be left with memory alone.

People say memory is enough.

It isn’t.

Not in moments like these, when your body still expects to reach out and find them. When your hands remember the weight of them. When your eyes still search for movement that will never come again.

And the hardest part — the part I cannot seem to say out loud without feeling misunderstood — is this:

People don’t fully understand.

They try. They are kind. They say the right things. But there is always that invisible boundary. That unspoken qualification.

“They were dogs.”

As though love measures species.
As though grief asks for permission.

I have loved before. I lost Zoe in 2013, and it hollowed me out in a way I didn’t think I would survive. I remember believing, with absolute certainty, that I would never love another being the way I loved her.

But I did.

I loved Xena.
I loved Zack.

Just as deeply. Just as completely.

And now I grieve them with the same fullness, the same helplessness.

So when people don’t understand, it isn’t because they don’t care.

It’s because they haven’t stood where I am standing — holding the last remnants of a love that had breath, warmth, presence… and now fits into something you can carry in your hands.

There is a particular kind of silence that comes with this kind of grief. It is not dramatic. It is not loud. It does not always cry.

It just stays.

It sits beside you when you wake up. It follows you through the day. It lies next to you at night. And sometimes, it makes even the most beautiful moments feel distant — like something you can observe, but not touch.

I cannot make people understand this.

And perhaps I don’t need to.

Because love like this — the kind that does not diminish, the kind that dares to return again after being broken — is not meant to be explained.

It is only meant to be lived.

And carried.

Until, one morning, you walk to the sea…
and understand that letting go was never the point.

Only loving is.

Second Night

A diya, a picture and ashes,
All that’s left of your life,
And the memories you made,
The love you gave, despite strife.

What’s the use of my tears
Shed now before this light?
You’ve left and I’ve failed
To keep a grip this quiet night.

I didn’t falter seeing your meds,
Or your clothes, or your food,
I laughed with Zuri and a friend –
I thought I was doing good.

But morning came and I
Turned to your ashes and face;
I saw the diya flickering,
And I collapsed without grace.

How do I know love’s here,
Though you have died?
I feel it in each sob,
In each tear I just cried.