I found this piece of writing in my old documents, dating back to 2021. I realised it never made to the blog, so here it is.
Go
As I grow older,
The heart grows colder:
The friends from my past
Did not really last.
The flames of youth
Are rendered moot.
Against bitter time,
I do not whine.
If as I grow,
I get to know
Everything dies,
I harbour no lies.
Death chips my heart,
Part by stony part;
And each sharp blow
Teaches to let go.
I have learnt well,
Walking through Hell,
That heaven is the same
With a different name.
And as grief goes,
With each smile,
I must let anger go
In the same style.
Ohh My Dog (2026)
A Good Film That Could Have Been Great
Ohh My Dog tells two parallel stories that mirror each other in beautiful ways.
The first follows a young boy in Assam searching for his beloved dog, Oppu, after he is swept into the brutal illegal dog meat trade that supplies parts of the Northeast, including Nagaland. Guiding him is his schoolteacher, who repeatedly frames their journey through the Mahabharata. The boy is Arjun; the teacher is Krishna, not fighting a war with weapons but with compassion, determination and moral conviction. It is one of the film’s strongest ideas, and Amit Rai deserves credit for weaving mythology into a contemporary social thriller without making it feel forced. (Bollywood Hungama)
Running alongside it is the story of Prince, an underage construction worker in Patna, illegally employed and invisible to society. When Prince is abducted by an organ trafficking racket, it is his dog Oscar who refuses to give up on him and he is helped by another teacher played by Pankaj Tripathi. The symmetry between the two stories is what makes the film work: one boy saves his dog, one dog saves his boy.
What binds both narratives together isn’t merely love between humans and animals. It is institutional failure.
Whether it is the dog meat trade, child labour, organ trafficking or police indifference, every system appears compromised. Corruption isn’t portrayed as a handful of bad apples but as something structural, something ordinary. The frustration the film evokes comes from watching decent people repeatedly collide with institutions that simply don’t care. Only towards the end do we find a flicker of hope through the teacher’s uncle, a police officer who chooses to do the right thing. That small act of integrity becomes powerful precisely because the film spends so much time showing how rare it is.
Where the film falters, however, is in its portrayal of animal cruelty.
Having spent years working for animal welfare, I couldn’t help feeling that the film pulls its punches. The villains are repeatedly shown being wary of Oppu, almost intimidated by him. In reality, a dog caught uncovering an illegal transplant chain would almost certainly be beaten or killed the moment it showed resistance. The horror of what these animals actually endure is softened. I understand why—the film is aimed at families—but I still wish it had trusted audiences with a harsher truth.
I also wanted the film to spend more time inside the mind of the dogs themselves. Their loyalty is obvious, but their fear, confusion and longing remain largely interpreted through human eyes. A little more of the dogs’ perspective would have made the emotional impact even stronger. It tries valiantly (with the budget constraints I am sure it faced) with the Doggo, Oscar.
Some scenes, however, stayed with me long after the credits rolled.
Oppu chasing the ball, completely unaware that those innocent few seconds will separate him from the child he loves, is devastating because it feels so ordinary. That is exactly how people lose dogs every day.
The discovery of the truck packed with terrified animals is another unforgettable sequence. It doesn’t need melodrama. The images speak for themselves.
But the scene that hit me hardest had nothing to do with dogs.
When Pankaj Tripathi’s character tells Prince’s father that his son will probably lose a kidney, the frightened, uneducated father asks only one question:
“Will he die?”
When he’s told no, the father quietly replies,
“Then it’s okay.”
The look on Pankaj Tripathi’s face says everything.
It isn’t judgement. It isn’t anger. It’s the crushing realisation that poverty leaves people negotiating with suffering itself. If your child is alive, even after losing an organ, you count yourself fortunate. Few recent Hindi films have captured that quiet tragedy so effectively.
Performance-wise, Geeta Agrawal Sharma is outstanding. Every moment she appears feels completely lived-in, never performed. As always, Pankaj Tripathi brings warmth, empathy and gravitas with almost effortless ease. My only complaint is that he feels underused. An actor of his calibre could have carried even more of the emotional weight had the screenplay allowed it. (IMDb)
And then there’s Oscar.
Forget the human cast.
Oscar steals the film.
His determination, intelligence and unwavering loyalty become the emotional heartbeat of the Patna story. The makers promoted Oscar and Oppo as the canine stars of the film, and it’s easy to see why. Oscar commands the screen without uttering a single word. (The Times of India)
Technically, the film is also stronger than many family dramas. The cinematography captures both Assam and Bihar with authenticity rather than postcard beauty, while the score quietly supports the emotion without becoming manipulative. The decision to use over 250 dogs across the production gives the film a sense of scale rarely seen in Indian cinema. (IMDb)
In light of the recent Supreme Court debate surrounding stray dogs, Ohh My Dog feels particularly relevant. It doesn’t argue that everyone must love dogs. Its final message is far simpler, and perhaps more important:
If we cannot be kind to animals, the very least we can do is not harm them.
I only wish the film had gone further. It had the ingredients to become one of the most important animal rights films India has ever made. Instead, it settles for being a very good film when it could have been a great one.
Still, I left the theatre holding on to one simple thought.
One boy saves his dog. One dog saves his boy.
If only the real world worked like that more often.
Friendship
Friendship has never been a single story for me. It has been a series of chapters, each leaving behind people who shaped me in ways they probably never realised.
When I think of childhood, I think of four little children racing through the Ganga Vihar compound in Bandra, running along the roads, playing in Guru Nanak Park, convinced that summer holidays would last forever. There was Irshad, Sarvar, Satish and me. We lived in a world where scraped knees healed quickly, laughter came easily, and tomorrow was never something we worried about. I still remember the view of the TV tower in Worli, from Sarvar’s 5th floor balcony. I was in awe of the height and the distance. Childhood is fantastical and so are the friends we make then.
I reconnected with Irshad several years later in my 30’s. When I told him I was gay, he stopped responding.
I think of Virginia too.
She taught me about Christmas long before I understood what festivals truly meant. She filled my childhood with warmth, kindness, joy and the wonders of make-up. Life, as it often does, carried us in different directions when I left Bandra in 1987. We found each other again in 2014 after decades of silence, and it felt as though no time had passed at all.
A few years later, she passed away. Some people leave your life twice—once through distance, and once forever. I still think of her and each time the thought fills my heart.
Then there were my school friends from St Teresa’s—Shameem, Amit, Bipin, and so many familiar faces who remind me that childhood often feels like living inside a Famous Five adventure: carefree, uncomplicated and wonderfully ordinary.
Life, however, has a way of changing its script.
When my parents separated and my mother and I moved to Versova, I entered a world where I was the new boy. I was different. I was effeminate. I was bullied, mocked and often left out. Between the ages of thirteen and sixteen, friendship became something I watched from a distance rather than experienced. Those were lonely years, but they also taught me resilience and turned me into an avid reader and film buff.
College changed everything.
At seventeen, I met Poonam.
For over three decades she was my closest friend. We grew up together. We celebrated victories, survived disappointments, argued, laughed and became part of each other’s families in every way except by blood.
Not every great friendship ends in betrayal. Sometimes it ends because two people, despite loving each other deeply, can no longer walk the same path.
As I stood on the threshold of turning fifty, we chose to part ways. It was painful, but it was peaceful. I miss her even today. I love her still, and I think of her ever so often.
But that friendship taught me one of the greatest lessons of my life: love should never come at the cost of self-respect.
Trust matters. Respect matters. Admiration matters. And no friendship, however precious, should require you to abandon yourself.
My queer journey introduced me to another extraordinary circle of friends. People like Umang, Bhavesh, Deepak, Shagoon and Dinesh helped me navigate life in my twenties. They listened, challenged me, encouraged me and stood beside me through struggles that only another queer person could fully understand.
It was also through this community that I found someone I think of as my mentor—someone who has become more of an elder brother than a friend. One of the greatest gifts he gave me was showing me that disagreement does not have to destroy affection. Two people can hold opposing views, argue passionately and still respect each other deeply. That is a rare quality, and one I treasure.
Perhaps that’s why I’ve come to realise that friendship is wonderfully malleable.
Some friends remain friends.
Some quietly become family.
My friend Christina, for instance, stopped being “just a friend” long ago. She is my sister in every way that matters. Relationships evolve. Labels become less important than love.
Friendship changes because we change.
It asks us to grow, to forgive, to learn, to unlearn and sometimes to let go.
Like every living thing, it has to be nurtured from both sides. It cannot survive on one person’s effort alone. It requires generosity, honesty, vulnerability and the willingness to listen even when listening is uncomfortable.
Without friends, I genuinely believe we become smaller versions of ourselves.
Friends help us evolve. They hold up mirrors when we cannot see ourselves clearly. They celebrate our successes without envy and steady us when life knocks us down. They question our decisions, not because they wish to control us, but because they care enough to make us think.
The final choice is always ours, but good friends make us wiser before we make it.
As I’ve grown older, another truth has become impossible to ignore.
Shared values matter.
Perhaps more than they once did.
In recent years, politics has tested many of my friendships. I have lost people I cared about because we could no longer reconcile our understanding of justice, compassion and humanity. I don’t believe every disagreement should end a friendship. Healthy debate is essential. Different opinions can coexist.
But there comes a point where the disagreement is no longer about policy or politics. It becomes about fundamental values.
There are crossroads in life where you must choose between preserving a friendship and preserving your core values.
Whenever I’ve reached those crossroads, I’ve chosen the latter.
Not because friendship isn’t important.
But because friendship without mutual respect, empathy and integrity eventually becomes something else entirely.
On this Friendship’s Day, I find myself grateful for every person who has walked beside me—whether for a few years or for decades. Every friendship has left its imprint. Every goodbye has taught me something. Every hello has changed me in ways I couldn’t have imagined.
If life has taught me anything, it is this:
Friends are not merely companions for the journey.
They are the people who quietly become part of who we are.
And even when some of them leave, they never truly stop walking with us.






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