Walking into The Devil Wears Prada 2, I’ll admit—I had expectations. I shouldn’t have. Sequels, especially to something as sharp and iconic as the original, rarely rise to the occasion. This one doesn’t even try… More
I Still Love
I was sitting in therapy today when my therapist, Adriana, said something that felt both obvious and completely foreign at the same time:
I need to tell myself that I am a good person. As many times as it takes for me to believe it myself.
Not because people around me say it. In fact, despite the fact that most people I love, don’t. But because of the life I have lived, the choices I have made, and the way I have continued to show up in a world that has rarely shown up for me in return.
And I realised how difficult that is for me to say.
Because somewhere along the way, I stopped seeing myself clearly.
⸻
I grew up in Bandra, sitting in my grandmother’s reclining chair on the balcony, looking up at the sky. There were always kites flying — small, distant, free. I remember feeling a strange kind of peace watching them. As if, for a few moments, life was simple and untouched.
Those moments mattered more than I understood at the time.
Because inside the house, things were not simple.
My father was an alcoholic. Violent. Unpredictable. He would beat walls, throw food across rooms, carry rage like it was his second skin. Later, he admitted that he knew I was gay since I was two. I don’t know what that did to him, but I know what it did to me.
It made me a target.
What protected me in those early years was not him, and not even really my mother — it was the other women around me. My grandmother. My aunt. My nanny. Their presence softened the fear.
And then my mother chose to leave that house.
Not just to escape him, but because she felt suffocated being given one room, in my grandmother’s home. We were four of us in that room at night. Ironic, because she is now in quite a similar situation, minus one body count. So, she moved us to a place that was, in every sense, worse. And eventually, she attempted a reconciliation with my father.
That decision changed everything.
Because now I was alone with him.
Afternoons stretched into something I dreaded. I was already being bullied in school. Boys didn’t accept me. Girls laughed at me. I was effeminate, visible, and completely unprotected.
At home, there was bullying.
At school, there was bullying.
And in between, there was silence.
I remember collapsing once on the stairs because the anxiety of going to school had become too much. A neighbour found me and brought me home. And instead of concern, what I heard was that I was pretending. Acting. Avoiding responsibility.
No one asked what was wrong.
No one tried to understand.
⸻
I found refuge where I could.
In books. In imagination. In the idea that somewhere out there was a man who would love me for exactly who I was. I held on to that belief like it would save me.
And for a long time, I was a romantic.
Not in a naïve way, but in a hopeful one.
I believed in love. I believed in honesty. I believed that if you gave the world your truth, it would meet you somewhere close to that.
But life doesn’t work like that.
By the time I was 18 or 19, my father nearly killed me. That was when my mother finally left him. Not during the years of violence. Not during the years of fear. But then.
And something in me shifted.
⸻
I grew up. I loved for the first time. But I was dispensable, even in love. My heart had a catastrophic break at the age of 21. I came close to ending it all then. I didn’t.
Later, I fell in love again with another man. Five years in, my heart broke. But I stayed. I didn’t run. I took that in my stride because love, to me, was not conditional.
Thirteen years in, I discovered he had been cheating on me physically with others while travelling.
That was the death of something inside me.
Not just trust. Not just love.
But the version of me that believed love would be enough.
⸻
I tried again.
I entered a polyamorous relationship, thinking perhaps the rules needed to change for love to survive. But that, too, left me hurt in ways I hadn’t anticipated.
Around the same time, I began losing the people who had once protected me.
My aunts — the ones who had stood between me and the worst parts of my childhood — started slipping away. One of them died in a way that still feels like she was taken from my hands while I was trying to hold on.
And then there were my dogs. My kids.
Seven of them over the years.
Six gone now.
Two of them just this year — January and March.
Each loss not just grief, but a tearing. A reminder that love, no matter how pure, does not protect you from endings.
⸻
And through all of this, I continued to show up.
For my mother. For my family. For the people in my life.
Not perfectly. But honestly.
I didn’t chase money. I didn’t chase status. I didn’t want big cars or bigger homes. I wasn’t interested in building a life that looked impressive from the outside but felt empty on the inside.
I wanted something real.
Something kind.
Something that felt like those moments on the balcony, watching kites in the sky.
⸻
And yet, today, my mother sits in front of me and tells me that I am not loving enough.
That I have changed.
But she is wrong.
I have not changed.
I may no longer be the 15-year-old boy who absorbed everything quietly. But I was never someone who accepted what was given to me without question. I was never willing to be the emotional ground on which everyone else stands while I collapse underneath.
I learned to say no even to my father — knowing I would be beaten for it.
I learned to call things out early. In the 8th standard, I stood up in class and told a teacher, “I am not a girl.” In college, when a bully asked me if I was gay, I looked at him and said, “Are you asking me out?” In front of a laughing crowd.
That strength was always there.
She just never saw it.
She didn’t know me then. She doesn’t know me now.
And now, when I stand up to behaviour in her that mirrors my father —
She calls it rejection.
⸻
There is love for her inside me.
But there is also resentment.
Because she still does not see me.
She remembers a version of me that was “loving and happy” — but she does not acknowledge the fear, the violence, the loneliness, the confusion. She does not remember what it took for me to survive those years.
Or perhaps she chooses not to.
And I cannot keep trying to make her see what she refuses to look at.
⸻
I reached a point recently where I told her I don’t care anymore.
And I meant it.
Not out of cruelty. Not out of anger.
But out of exhaustion.
There is only so much a person can carry before something inside them shuts down to survive.
And that is where I am.
⸻
In therapy today, I said something that has been true for most of my life:
No one has ever held my hand and said, “I understand. That must have been so difficult for you.”
Not my family. Not my friends. Not the men I have loved.
No one.
Except my therapist.
And maybe that’s why it hit me so hard when she said I need to tell myself that I am a good person.
Because I have spent a lifetime waiting for someone else to say it — and mean it.
⸻
So here it is.
Not as a declaration. Not as a performance.
But as something I am trying to learn to believe:
I am a good person.
Not because I was perfect.
But because I stayed honest in a life that constantly pushed me towards silence.
Because I loved, even when love cost me.
Because I survived things that could have easily destroyed me.
Because I am still here.
And because, finally, I am learning that saying no does not make me less loving.
It means I am no longer abandoning myself.
⸻
Maybe the world is not designed for people like me.
Or maybe I was never meant to bend myself to fit the world.
Maybe the point is simpler than that.
To see myself clearly.
To stand by that truth.
And to protect whatever goodness still lives inside me — not by giving it away endlessly, but by finally holding it close.
When Did I Stop “Loving”?
The other day, in the middle of yet another argument, my mother said something that stayed with me long after the noise had settled.
“You were so loving once upon a time. You’ve changed.”
There it was. A sentence loaded with nostalgia, accusation, and control—wrapped up as concern.
And something in me snapped.
Because what she calls “loving” was, in truth, obedience. It was a version of me that survived by bending, by yielding, by staying quiet in a house where silence was safer than expression. It was the child who had dreams, who thought romantically about life, who believed that love could fix things. But that child also lived in fear, in trauma, and in a system that demanded submission.
So yes, I have changed.
And I refuse to apologise for it.
⸻
I grew up in a household shaped by control, fear, and violence. My father was abusive—physically so—and my mother, while present, was not protective in the ways that mattered.
She provided the basics: food, clothing, a roof over our heads. And for that, I acknowledge her effort. But parenting is not a checklist of survival needs. It is also about safety, emotional protection, and standing up for your child when they are in danger.
That did not happen.
It took my father nearly killing me—for her to finally separate from him. By then, the damage had already been done. Years of fear had carved themselves into my psyche. The child she remembers as “loving” was also a child who had learned to shrink, to endure, and to survive.
So when she says I’ve changed, I want to ask her:
Changed from what? From fear to awareness? From silence to voice?
⸻
If my childhood shaped me, 2014 broke something fundamental within me.
That was the year my mother and my sister chose to support a political ideology that directly threatened everything I am. As a gay man, this wasn’t abstract politics. This wasn’t a debate over policy or governance. This was about identity, dignity, and survival.
People often say, “Don’t let politics divide families.”
But what they fail to understand is this: when politics targets your identity, it is no longer politics. It is personal.
My mother and sister became a unit—aligned in their beliefs—while I stood alone on the other side. Over time, the few family members who understood me, who supported me, passed away. And I found myself in a house where I no longer felt seen, understood, or safe in a deeper, emotional sense.
The fracture wasn’t loud. It didn’t happen overnight. It was slow, silent, and irreversible.
⸻
What hurt wasn’t just disagreement—it was betrayal.
To support something that invalidates your own child’s identity is not a neutral act. It is a choice. And choices have consequences.
Even years later, when perspectives seemed to shift, when there appeared to be some realisation of what had unfolded in the country, it felt too late. Because the damage had already been internalised.
If you stand by something harmful long enough, you cannot simply step away from it and expect everything to return to what it was.
Some things, once broken, do not reset.
⸻
Then came 2021.
The year the world collapsed in ways we were not prepared for.
I lost my aunt—one of the few people who had been in my corner—to COVID during the devastating Delta wave in India. She died waiting for a hospital bed. Waiting for oxygen. Waiting in a system that had failed its people.
There are no words for that kind of loss. Only silence and anger.
My sister and I both came dangerously close to death during that time. It was a moment that should have brought clarity, compassion, and unity.
But even then, I saw things that I could not reconcile with. The disconnect between reality and belief persisted.
And something in me finally gave way.
⸻
The turning point wasn’t just the loss. It was the decision to leave.
I walked out of the house.
Because I realised I could not continue living in a space where my existence, my identity, and my beliefs were constantly in quiet conflict with those around me.
Only after I left did something begin to shift.
Perhaps it was fear of losing me. Perhaps it was a genuine change of heart. Perhaps it was a delayed recognition of reality.
But by then, I had already crossed a threshold within myself.
I had chosen myself.
⸻
What I see now, more clearly than ever, is the deeply co-dependent relationship between my mother and my sister.
It is suffocating. Restrictive. Built on control and need rather than freedom and growth.
My mother does not allow her daughter to be fully independent. And my sister, in turn, has grown into that dependency. It is a cycle that feeds itself.
And I stand outside of it, unable—and now, quite unwilling—to participate.
⸻
Over the years, I have changed.
Therapy has forced me to confront my past. To revisit wounds I had buried. To understand the patterns that shaped me.
I have become more aware. More articulate. More grounded in my own truth.
But also, perhaps, more cynical.
Where I once saw possibility, I now often see limitation. Where I once dreamed, I now assess. There is a quiet nihilism that has settled in—a sense that the world, fundamentally, does not change as easily as we hope.
And yet, even in that, there is strength.
Because I no longer live in illusion.
⸻
So, Am I Less Loing?
When my mother says I am no longer “loving,” what she is really saying is this:
I am no longer compliant.
I no longer accept things without question.
I no longer stay silent to keep the peace.
I no longer prioritise comfort over truth.
And if that is what she means, then yes—I have changed.
But I would argue that I have not become less loving.
I have simply stopped abandoning myself in the name of love.
⸻
My mother did what she could. I can acknowledge that.
But doing what you can does not erase what was not done.
And love, real love, is not about preserving a version of someone that was easier to manage. It is about accepting who they have become—even when that person is no longer convenient.
I am no longer the child she remembers.
I am the man who survived that childhood.
That difference changes everything.
And that is all that should matter.
Project Hail Mary
There are films you watch, and then there are films that meet you exactly where you are.
I walked into Project Hail Mary carrying grief — missing Zack and Xena, already undone before the lights dimmed. And somehow, this film didn’t distract me from that emotional state; it held it, reframed it, and quietly gave it meaning.
Directed with clarity and emotional restraint by Phil Lord and Christopher Miller, and adapted from Andy Weir’s novel, the film balances hard science with deeply human vulnerability. The cinematography by Greig Fraser is expansive yet intimate — vast cosmic emptiness contrasted with the fragile interiority of one man’s fear, doubt, and eventual courage.
At its centre is Ryan Gosling, who delivers a performance filled with quiet tremors. There is something strikingly vulnerable about him here — a softness, an openness — that makes you believe every hesitation, every flicker of resistance. He feels less like a conventional hero and more like an ordinary man dragged into extraordinary responsibility. At times, I found myself thinking of him as a kind of Hollywood Ranbir Kapoor — not in style, but in that emotional accessibility.
The Story & Its Emotional Core
The premise is deceptively simple: a microorganism — Astrophage — is draining energy from the sun, threatening life on Earth. Governments assemble a desperate scientific mission. Three astronauts are sent across the stars towards Tau Ceti, humanity’s last hope.
But what elevates the story is not the science — though it is fascinating — but the moral weight placed on an unwilling participant. Gosling’s Ryland Grace is not a man eager to sacrifice himself. He is a biology teacher, a reluctant participant, someone who cannot instinctively subscribe to the idea of “the greater good”.
And that tension — between obligation and personal truth — runs quietly beneath everything.
The Visuals & Special Effects
The special effects are nothing short of breathtaking.
The Tau Ceti sequences, particularly when Astrophage is released onto the planet to observe its behaviour, are mesmerising. There is a sense of scientific wonder rendered with almost poetic beauty — light, texture, and motion working together to create something both alien and believable.
But the most astonishing achievement is Rocky.
Rocky — an alien who, at first glance, resembles nothing more than a living rock — becomes one of the most expressive characters in the film. Through voice modulation, rhythmic sound patterns, and physical gestures, he communicates emotion, humour, loyalty, and intelligence. The voice work and sound design behind Rocky are extraordinary; they transform the unfamiliar into something deeply intimate.
Rocky: The Heart of the Film
Rocky is not a side character. He is the soul of the film.
Their friendship — built without a shared language, without shared biology — becomes a testament to connection beyond form. Rocky speaks of a partner of 186 years, and in that detail lies something profound: a quiet reflection on love, companionship, and endurance that transcends human frameworks.
There is no need to impose labels on it. It simply is love — steady, enduring, and unquestioned.
(Spoiler Alert: Ending Discussed Below)
What stayed with me even after the film ended was how its thematic core differs subtly from Project Hail Mary itself. Andy Weir’s writing has always leaned heavily into science as process — the joy of problem-solving, of intellect battling extinction, much like in The Martian. The novel is rooted in logic, in method, in the slow satisfaction of answers earned through persistence. Even Rocky, in the book, is as much a collaborator as a companion — a scientific equal with whom Grace builds trust through shared curiosity rather than emotional dependence. The idea of survival is intellectual, almost procedural.
The film, however, shifts that axis gently but decisively. It is less interested in how we solve the universe and more in why we choose to. The science remains, but it takes a back seat to something more fragile — connection. Rocky here becomes more than a collaborator; he becomes an emotional anchor, almost a quiet rebuttal to the chaos and cruelty we associate with humanity. And that is where the film resonated deeply with me. Where the novel asks whether intelligence and cooperation can save us, the film dares to ask whether love — even if it is for just one being — is reason enough to try.
The film’s most powerful turn lies in its moral reversal.
We learn that Grace did not heroically volunteer — he was coerced. Forced into the mission for the sake of humanity. And when faced again with a choice — to return to Earth as its saviour or to turn back and save Rocky — he chooses Rocky.
Not the abstract idea of billions.
Not the “greater good”.
But a singular, tangible bond.
And in that moment, the film quietly dismantles a long-standing cinematic myth — that heroism must always be self-sacrifice for humanity at large.
Instead, it suggests something far more intimate: that love, loyalty, and connection — even with one being — are enough.
Rocky, in turn, saves him. Builds him a home. Gives him a life.
And that reciprocity — that mutual choosing — feels like the truest form of humanity the film offers.
Final Thoughts
If I’m being critical, the script isn’t always tight. There are stretches where pacing wavers, and certain transitions feel less precise than they could be. But somehow, it doesn’t matter.
Because the film lands where it needs to.
Emotionally, it resonates.
And perhaps that is why it stayed with me.
Walking in, I felt a kind of exhaustion with humanity — with its violence, its cruelty, its endless justifications. And strangely, the film doesn’t argue against that feeling. It doesn’t glorify humanity blindly.
Instead, it finds redemption in something smaller.
More honest.
One bond. One choice. One act of love.
And for me, that is enough.






You must be logged in to post a comment.