Love

I was listening to an old Hindi song. It was Meera telling Krishna that, in essence, he loved only Radha, and yet people blame her for loving him – unrequitedly.

श्याम तेरी बंसी पुकारे राधा नाम
लोग करे मीरा को यूँ ही बदनाम

To which he replies:

सावरे की बंसी को बजने से कम
राधा का भी श्याम वो तो मीयर्रा का भी श्याम

This is an element of love I think that very few people realise. Apparently, it’s something that I happened to learn after forty years of living and loving. Though I knew I was the kind of person who never “fell out of love”. Truthfully, I believe if someone can do that he or she wasn’t in love in the first place.

Romantically, in my life thus far, I have been in three relationships. And I still love all three men. How is that possible? Easy. Each person is an individual. Each person has his own unique and utterly different character. I loved M because of his passion, his voice, his energy, he was my first love. I remember the first time we kissed. I remember the times we shared. I remember his smile, his handwriting, his hair. So the love I have for him is unique, it was custom made for him. It manifested out of me, because of him.

When he left me, I was devastated. I was bereft. I felt as if a part of me was wrenched away. The feeling of loss surrounded me for over years… but I never stopped loving him. I couldn’t even think of him negatively. He had broken my heart, but ironically, the love in it never broke.

The same happened the second time I fell in love… Anders was a Dane. A quintessential dream come true. Blue eyes, strawberry blond, taller than I, mature and calm. An architect. The first movie we saw together was The Horse Whisperer, in Sterling. I remember the first time we kissed, too, we were both actually trembling. The way he made me feel was so different from the way M had made me feel.

At that point in time, at the age of twenty-three, I couldn’t really tell the difference in what I felt. I believed love was love, and like Meera, I would be left bereft. Of course, he loved just me, and truly and deeply – in all the ways love songs would describe it. But after M, I didn’t trust love and, since he was from abroad, I thought that this relationship would meet with the same fate. However, he did return from Denmark. He bought me the most beautiful Christmas tree, all the way from there, because he knew how much I love celebrating Christmas. He had come to spend the holidays with me, and this time it was I who broke a heart.

I was protecting myself, and I was trying to be the mature one. I didn’t think that it would work out because of geography and because of cultural differences. He was willing to try, and I was afraid to. I didn’t realise then that the way he made me feel only he could, and that he was he and not M. I remember his tears, and I remember holding his face against my neck, my hands in his hair, and wondering how I could do that. But I did. Not because I did not love him, but because I was afraid that this love would end the same way the last one did. That was my terrible error. Our relationship ended, but I have not stopped loving him.

When I fell for a guy seven years my junior, I was just beginning to give up on preconceived notions on how love should be. Of course, at twenty-five, I was jealous, possessive and had set views on how love should form its nature. I didn’t realise then that each love forms its own path when two individuals walk it. I tried for many years to make Anand see love through my perspective. I couldn’t understand that romance had nothing to do with love. Passion had nothing to do with love. Jealousy had nothing to do with love. Possession had nothing to do with love.

When he cheated on me thirteen years later, I was not as upset about the physical tearing but about the fact that he couldn’t tell me what was going on with him. By then I had evolved enough to know the difference between the hurt felt post the breaking of trust as opposed to him having sex with another man. So we made a compromise – amongst the hundreds already done – and moved on with love in tow.

Through my teens, and my twenties, I tried incorporating all that I had read and seen in my relationships. There are knights in shining armours, but not always riding horses, or wearing armours. There are love confessions on tall buildings, but those can happen in a quiet bedroom as well. There are beautiful sunsets and hands intertwined in silhouettes but the intertwining can happen on a casual walk to an ice cream shop. I didn’t realise all of this earlier, and I would be upset.

I have learnt that I cannot mold another person to love me in the way he is not capable. But in no way does that mean he doesn’t love me. Love cannot be gauged. It can only be felt.

Over the years, I have come across many men. I related to them over poetry, music, movies, families, events, spaces and thoughts. I realise now that each of them spoke to a side of me that no one else could. Each of them cajoled and satisfied a part of my heart that had hitherto been neglected. In my own way then, I loved and love so many who came across my path. And none of this love ever tampered with the love that already existed in different spaces of my heart.

This is what I understand now. Love isn’t restrictive. It is surely exclusive, but it forms a new facet to include a new exclusion. Who says that love happens once? It happens all the time. That’s the best part of it. It is like this ever expanding light, it reaches out and forms new lights, like some mythic orbit of newly created stars. Each star shining with its own light, special and its very own.

Meryl Streep

It is seldom that a speech made by a Hollywood Celebrity makes me sit up and applaud. The last time I did that was when Christopher Reeve gave a speech at the Oscars in 1996. I have liked Meryl Streep, I have never been an immense fan, tonight it was a pleasure to hear her speak after she received the Cecille B DeMille award for her contribution to cinema. And she surely has. Through the years, she has amassed a body of work that few actresses can boast of.

Over time, I have felt a strange apathy seeping into me. I have lost faith in humanity, more or less. The ideals that I grew up with, from the works of authors and poets and artists and visionaries and dreamers with much larger sensibilities than the world could hope to replicate, ingrained in me a sense of balance that I find shaken by the times we live in. The people I grew up with and have loved seem to have their moral compasses aligned opposed to mine and I find that it is difficult to be meaningful in a world that is now a strange dystopia.

I keep thinking of Yeats’ The Second Coming:

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

I don’t want to quote the entire poem, it leaves me with an eerie feeling of premonition and I shudder. But tonight, I heard Streep’s speech and she spoke so beautifully that I just had to keep a transcript of it here. So without further ado, here it is:

Please sit down. Thank you. I love you all. You’ll have to forgive me. I’ve lost my voice in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year, so I have to read.

Thank you, Hollywood Foreign Press. Just to pick up on what Hugh Laurie said: You and all of us in this room really belong to the most vilified segments in American society right now. Think about it: Hollywood, foreigners and the press.

But who are we, and what is Hollywood anyway? It’s just a bunch of people from other places. I was born and raised and educated in the public schools of New Jersey. Viola was born in a sharecropper’s cabin in South Carolina, came up in Central Falls, Rhode Island; Sarah Paulson was born in Florida, raised by a single mom in Brooklyn. Sarah Jessica Parker was one of seven or eight kids in Ohio. Amy Adams was born in Vicenza, Italy. And Natalie Portman was born in Jerusalem. Where are their birth certificates? And the beautiful Ruth Negga was born in Addis Ababa, Ethiopia, raised in London — no, in Ireland I do believe, and she’s here nominated for playing a girl in small-town Virginia.
Ryan Gosling, like all of the nicest people, is Canadian, and Dev Patel was born in Kenya, raised in London, and is here playing an Indian raised in Tasmania. So Hollywood is crawling with outsiders and foreigners. And if we kick them all out you’ll have nothing to watch but football and mixed martial arts, which are not the arts.

They gave me three seconds to say this, so: An actor’s only job is to enter the lives of people who are different from us, and let you feel what that feels like. And there were many, many, many powerful performances this year that did exactly that. Breathtaking, compassionate work.

But there was one performance this year that stunned me. It sank its hooks in my heart. Not because it was good; there was nothing good about it. But it was effective and it did its job. It made its intended audience laugh, and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter. Someone he outranked in privilege, power and the capacity to fight back. It kind of broke my heart when I saw it, and I still can’t get it out of my head, because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modeled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kinda gives permission for other people to do the same thing. Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others we all lose. O.K., go on with it.

O.K., this brings me to the press. We need the principled press to hold power to account, to call him on the carpet for every outrage. That’s why our founders enshrined the press and its freedoms in the Constitution. So I only ask the famously well-heeled Hollywood Foreign Press and all of us in our community to join me in supporting the Committee to Protect Journalists, because we’re gonna need them going forward, and they’ll need us to safeguard the truth.

One more thing: Once, when I was standing around on the set one day, whining about something — you know we were gonna work through supper or the long hours or whatever, Tommy Lee Jones said to me, “Isn’t it such a privilege, Meryl, just to be an actor?” Yeah, it is, and we have to remind each other of the privilege and the responsibility of the act of empathy. We should all be proud of the work Hollywood honors here tonight.
As my friend, the dear departed Princess Leia, said to me once, take your broken heart, make it into art.

Tilly

Yesterday just before I was leaving to watch Passengers, Saurabh gave me a call and asked if I had heard the news. I asked what news? And he replied with, “Tilikum died”. My heart sank.

It’s life’s ultimate cruelty. Sea World’s branch in San Diego had just announced their last killer whale show. The detractors of Sea World rejoiced. It was a small step toward what they had always wanted. Sea World closing shop, albeit one show in one branch. Of course, it did not mean that there would be no more shows of whales, dolphins, seals, or not to keep several species in captivity, elsewhere, doomed to live an unnatural life devoid of natural attachment and rightful freedom. But where Tilly, as he came to be known in affection, was imprisoned, there would be no showcasing of orcas.

It then came as such a tragedy that Tilikum, the whale responsible for generating such a verdict, would meet his end a week later. It’s almost as if he was born to bring an end to the shows, he had been a part of for approximately 30 years, which so heavily impacted the captured animal trade that exists for base human entertainment. His role in the universe was done and he made his exit amidst millions of tears and tragic applause.

He died at the age of 36. Two other people who impacted my life through their work and lives also died at 36: Marilyn Monroe and Princess Diana. No strange thing that I felt a deep affinity for him ever since I saw Blackfish. The documentary left such an impact on me. I’ve grown up having this link to animals. I’ve been with dogs since I was four, and I have grown up in their company. A deep desire has always been to visit the Masai plains and watch the wildebeeste migrate from there to the Serengeti. It’s a calling that I have not yet wholly understood… and I don’t really try to. I have grown up with The Black Stallion being my all-time favourite movie. I used to watch Attenborough religiously in all of his shows dealing with the wild. I cried copiously when I watch Elsa, the lioness, walk away from Joy Adamson, and I remember not ever wanting to see that movie again, as a child. I couldn’t understand why they had to give her up to the wild.

I understand it now.

Freedom is something human beings should understand most of all. We have had revolutions dedicated to its cause. Humanity has so much grace and valour. We deem ourselves to be the most intelligent species on Earth, and yet, we are capable of such barbarism! Intelligent and yet oblivious. Glorious and yet despotic! Capable of such good and yet of such violence. Believers in a higher power and yet have no fear of it. Relativity is taken for granted and thinking through another perspective isn’t even applied. The concept of freedom, I know, can never be understood unless it is taken away.

My heart grieved bitterly. It continued to do so since years, when I hear about the plight of creatures that have been mistreated, victimised, slaughtered. It grieves now. It will continue to do so. But I am afraid that these debates have overtaken public consciousness to such an extent that it’s already a non-issue even in the minds of those who would otherwise care. Apathy created from explanation. It’s so strange. This is also a human condition.

Tilikum died. He died. Alone. Hanging in a small pool.

Ever since the death of Dawn Brancheau in February, 2010, his story has spread far and wide. But his condition worsened. Trainers wouldn’t touch him. He was kept in the size of a pool which would be the equivalent of a human being in a bath tub. He was hosed down instead of being massaged. He was isolated. His shows were cancelled. And he would rest perpendicular in this pool for hours – the sight of which is so horrifyingly filled with despair that even the most ignorant of human hearts would still in response.

I have no faith left in humanity. I have no belief left for higher governance, earthly or divine. I have no recourse except to mention in a most insignificant blog about how I feel and what Tilly meant to me. I just know now, that death brings the ultimate peace and for sure, he is finally at rest.

I end with a song dedicated to Tilly. Stay free!