Romil and Jugal

fc-web-watch-romil-and-jugal-cover-65

Romil and Jugal is one of the latest ventures on the AltBalaji web entertainment channel. The website mentions the channel as “a subsidiary of Balaji Telefilms Limited… the Group’s foray into the Digital Entertainment space.” It says that its aim is “to reach out directly to individual audiences, by providing them with original, exclusive and tailor-made shows, that they can access at their fingertips.” And this is absolutely true – well, at least in the case of this new webseries.

Romil and Jugal encapsulates for the first time two male leads who fall in love with each other. It is a pioneering effort by an Indian cast and production team for an Indian audience. Suffice it to say, I have not seen a story that deals with homosexual love by the Indian film or television fraternity so sensitively ever before.

The series has its first season of ten episodes. The first five are free on the channel and the concluding five of the season can be purchased by a minimum fee of Rs 100/- Trust me, it’s a hundred bucks worth spent. I wouldn’t go so far as to call it the Indian version of “Queer as Follk”, it surely is a valiant and very commendable effort to get there.

The story is based loosely on William Shakespeare’s “Romeo and Juliet”. Romil (Rajeev Siddhartha) belongs to a Delhi-based Punjabi family and Jugal (Manraj Singh) belongs to a South Indian family that hails from Chennai. Rajeev has done a massively powerful enactment of the typical macho man, who has buried his sexuality deep within his consciousness. His coming out process is disturbingly painful and, sadly, what will be vastly relatable to so many from the Indian gay milieu. Jugal has portrayed his role of the guy who knows who he is and keeps a quiet dignity through the series, until the very end where even he goes through a subtle growing up that can only be classified as human. They both have brilliant chemistry on screen and it’s a pleasure to watch them fall in love.

I have never watched Indian television, in decades, because I feel after shows like Tamas, Humlog, Buniyaad, Ye Jo Hai Zindagi, Khaandaan, Indian television didn’t do much in raising the bar in individual empowerment, or even basic good story-telling. I began watching Balika Vadhu at its inception, but look how that turned out. I have no idea how Romil and Jugal will do eventually, but the first season was a brilliant step ahead, in the right direction.

The story follows these two ‘teenagers’ through school. The first crush, the first kiss, the dating, the celebration of love. The scenes that stand out for me particularly, and which were so relatable, was Jugal’s coming out to his family. Personally, I remembered the nights of concern, the utter fear of rejection from the people I love, and finally, the breaking of the dam, as you, with your throat constricting, tell your parents that you are gay. I also in particular loved the character of Meghna, Jugal’s best friend. Most of us gay boys have had that one girl who has stood by us through the darkest of times, and she was completely awesome.  The story is further empowered by brilliantly enacted character roles.

In essence, the writer Ishita Moitra, has tried to give a voice to everyone who has been a part of the gay diaspora. The boys who feel alienated, the friends who support and the friends who reject, the parent who is understanding, the parent who is not, the sister who hurts, loves and accepts, the best friend who protects. These are elements that were such a pleasure to watch. The comedy was necessary, and it wasn’t such that would be cringe-worthy. Maninee Mishra is just terrific casting for this. I understand how the tempo had to be played in order for everyone in the audience to be appeased. (Hopefully, they were, I certainly was.)

nupur-asthana_b88096a4-1f88-11e7-beb7-f1cbdf0743d8

I wasn’t surprised to learn that it was directed by a woman, Nupur Asthana. The sensitivity and thoughtfulness to detail, the nuance of what has to be restrained and what has to be shown, all so brilliantly captured by this lady’s vision.

Finally, I must say that whether or not people will watch it, this show will forever be marked in history as the first to boldly go where no one has gone before. Sorry, Trekkie fans, for the cheesy innuendo dealing – but this is exactly how I feel.

A great big thank you and bravo to the entire team of AltBalaji. Looking forward to Season 2.

Audience reactions

India Today

Watch the Series here.

Beauty and the Beast

Beauty and the Beast is a fairy tale. It was made to make one feel good. It succeeds.

I had a lovely time watching the movie. The plot is run of the mill, the execution is fun. Having a stellar cast does wonders for a film that would otherwise not particularly stand out. It begins with a prince (Dan Stevens – I still remember him as Edward from Sense and Sensibility before he gained fame from his playing the romantic Michael in Downton Abbey) and an enchantment, a pretty (I cannot in all fairness say Emma Watson is beautiful) girl caught in a provincial town, her father (the very versatile Kevin Kline) and her vain suitor (Luke Evans, Bard no more) who pursues her without remorse.

The supporting caste is the most noteworthy: Sir Ian McKellen as Cogsworth, I was expecting a bit more from him, but whatever role he had he played it superbly. Ewan McGregor as Lumière is brilliant. And Emma Thompson as Ms Potts is astounding, I love Emma Thompson but here she excels, I didn’t even know she could sing!

The songs are wonderful. Some of the old melodies greet you like good friends and you smile when they are being sung. Kevin Kline’s character, Maurice, sings a few strains of the title track sung by Celine Dion and you wilt a little and flower a little when that happens. Dark undertones simmer briefly and they then burst with light. Such a fresh retake on what has already been done. My favourite song was Emma Thompson’s rendition of “Beauty and the Beast”.

There was a controversy over the gay character, LeFou? Damn, people still have a problem with – a few quips and a possible gay encounter in the end on a dance floor, for the blink of an eye? People need to just sit back and take a chill pill.

The special effects are good, nothing like Kong, but hey, if you make a musical of a fairy tale, it should look like this. This is what I expect musicals to be… I know what was going to happen, but that didn’t make the movie any less appealing. In fact, I don’t mind going for it a second time.

 

Manchester By the Sea

Casey Affleck, Casey Affleck and more Casey Affleck, is what I say!

He carries this haunting tale of a cataclysmic mistake on his shoulders, through the entire saga. The movie took me back into the days when I studied William Faulkner, Ernest Hemingway and Theodore Dreiser. The tone is like a piece of music – with adagios and allegros all mixed up. It’s like cinematic opera, or like a Renaissance tragedy filled with realism.

It moves in a series of flashbacks and present time scenes. There is a buildup of Casey’s character. His eyes speak volumes, blue and surreal. He’s a Catholic boy who works as a janitor and as the story unfolds we understand the reason for his withdrawn and inhibited existence. I don’t see him smile a single time throughout the movie. And in the scenes, where I think he may be smiling, are all shot in long shots, so you can’t really make that out.

I cannot dwell enough on what a powerhouse performance he has acted out here. His character has this mayhem within and except for one major outburst at a police station, we see quiet ruptures of self harm, in an otherwise calm and even polite demeanor that covers this tension. There is this need to be better when faced with his nephew’s guardianship, but there is the ultimate realisation that things don’t truly get better. He usurps each frame where he is present – one cannot see anything else.

I was wondering what Michelle Williams was doing in the movie, I even mentioned it in an aside to fellow watchers of the movie – until the one scene where she blows your mind away. Both Affleck and she have this one scene where they both meet after years and they both are so tortured and so stark and so naked before each other, the scene melts away any doubts as to why she was nominated for an Academy Award. The way her voice breaks, the way the demons in him claw to get out and overtake his being, the entire scene is so filled with abject pathos that you cannot help but weep along with both.

The other actor that has done a brilliant job in this film is Lucas Hedges. His performance is what brings the ripples in an otherwise dark, dangerous and deep waters.

The entire film is shot in the cold of winter. The imagery is harsh and barren and the cold outside is more than just a metaphor in the movie. It is a take on how nature can be horribly cruel and unyielding, if the ground is unforgiving and hard for a dead body to be buried in, the opposite of the cold: fire, is the thing that can destroy lives.

Kenneth Lonergan’s direction is crisp, and yet lifelike. He knows his art and more than concentrating on camera angles and effects, and colours, he uses his actors to give meaning to the themes of grief, trauma, heart break and loss. There is a redemption for Lee, but he chooses not to take it – and the director allows him to make that choice.

This deserves the Best Picture Award, Best Director Award, Best Actor Award!