Broken Spell

“You’re not going anywhere,” said Harry fiercely. “You’ve just been caught. Dobby told us everything.”

— Harry Potter and the Chamber of Secrets, J.K. Rowling

There’s a moment in The Chamber of Secrets when the illusion breaks. Harry, barely twelve, confronts Gilderoy Lockhart — the charming fraud who built a life on stolen stories. It’s a pivotal scene, one where truth shines through the lies, and a young boy refuses to be gaslit by a man the world celebrates.

Reading that scene again as an adult, I find it eerily familiar. Not because I now share Harry’s sense of justice — but because I too have confronted someone I once admired. That person, heartbreakingly, is J.K. Rowling herself.

Like millions of queer kids, I grew up in the shadow of Hogwarts. It wasn’t just fiction — it was sanctuary. We were the misfits, the outcasts, the “mudbloods,” the ones who learned to wield words like wands. The books told us that love matters more than blood. That found family, not lineage, defines belonging. That courage means standing up for what’s right — even if you stand alone.

And yet, over the past few years, the woman who wrote those words has chosen to use her voice — not to protect — but to alienate. Her remarks about trans people have not only disappointed many of us; they’ve caused real harm. In posts, essays, and tweets, she has drawn lines that tell queer and trans folk we are not truly part of the world she imagined — not unless we fit into her definitions of gender and biology.

“You mean you’re running away?” said Harry disbelievingly. “After all that stuff you did in your books —”

“Books can be misleading,” said Lockhart delicately.

— Chamber of Secrets

Books can be misleading — or at the very least, they can be written by people who don’t live the truths they tell. This, for me, has become the great sadness of my relationship with Rowling. I don’t believe in cancel culture. I still believe the Harry Potter series said something real and necessary. But the spell is broken. I can’t wear a Hogwarts T-shirt with pride anymore, knowing what its creator thinks of people I love — people I am.

So, I reimagine the Lockhart scene like this — not with Harry and a charlatan professor, but with someone like me, confronting the very writer who made me feel seen — before making me feel excluded:

Harpreet: “You told us Hogwarts was a home for everyone. And then you shut the doors when we asked for truth.”

Rowling: “Well — let’s not be emotional — I’ve always supported free speech —”

Harpreet: “No. You stood by the freedom to exclude. You sold us magic — then told us we weren’t real enough for it.”

What Rowling doesn’t seem to understand is that many of us weren’t asking for ideology — we were asking for recognition. For empathy. For the very values her books taught us.

And so we find ourselves in this paradox: loving the message but questioning the messenger. That’s a painful place to be — and a powerful one too. Because unlike Lockhart’s victims, we remember what was taken from us. And like Harry, we confront the lie, not with bitterness — but with truth.

“You don’t get to wave a wand and pretend you were always the hero. The spell’s broken. We wrote ourselves into the margins when you left us out — and we’re not asking for permission anymore.”

The legacy of Harry Potter will outlive its author. But its soul — its real magic — belongs to the readers who made it a movement. To the queer, trans, non-binary, marginalised kids who kept reading even when they stopped feeling safe.

We were always part of the story. And now, we’re telling it ourselves.

The Nature of Homophobia

We often talk about homophobia as a form of hate directed at queer people. But it’s more than slurs or discrimination—it’s a system. A mindset. A control mechanism. And like all systems of control, it does more than hurt the visible target; it quietly damages everyone.

Here are five insights about homophobia we rarely say out loud—but should.

  1. Homophobia doesn’t just harm queer people—it limits everyone

Most people assume that if you’re straight, homophobia doesn’t touch your life. That’s a lie. Because homophobia is what tells straight men they can’t cry or hold their male friends too long. It’s what forces women to perform femininity in a way that pleases the male gaze. It’s what turns love into a cage of rules. If queerness were allowed to breathe freely, so would everyone else.

Homophobia is the reason intimacy and vulnerability feel dangerous—even for those who claim they’re not affected.

  1. It’s not innate—it’s learned, imposed, and policed

No child is born homophobic. Look at history. Look at indigenous cultures, ancient civilisations, or even pre-colonial societies. Queer relationships were present, accepted, sometimes revered. It was colonialism, religion, and politics that began to weaponise sexuality.

What’s sold as “tradition” is often just trauma dressed up in ritual. The fact that homophobia looks different in different places—and changes over time—tells you everything. It isn’t natural. It’s curated.

  1. The fear of queerness often reveals a fear of the self

There’s a reason some of the loudest anti-LGBTQ+ voices crumble under scandal. Homophobia can be projection. A desperate attempt to silence the parts of ourselves we’re too afraid to face. Society teaches us to repress desire, to hide softness, to punish difference.

So many people fight queerness not because they truly hate it, but because they’re terrified it lives inside them. That’s the quiet tragedy at the heart of this hatred—it’s often self-directed.

  1. ‘Tolerance’ is not kindness—it’s control

“I don’t mind gay people, as long as they don’t shove it in my face.” How many times have we heard that? What they’re really saying is: “You can exist, but only on my terms.” Tolerance is the cousin of condescension. It assumes superiority. It keeps power in the hands of those doing the ‘tolerating.’

Queer people don’t need tolerance. They need equity. They need liberation. Tolerance is a ceiling—acceptance is when you tear the roof off.

  1. Homophobia isn’t about sex. It’s about power

What scares people isn’t just who we love—it’s what our love disrupts. Queer people break the mould. We expose how flimsy the rules are. Patriarchy depends on obedience, on rigid roles, on the illusion of “normal.” Queerness dissolves all that.

This is why homophobia exists: to keep the world in its old shape. Not because queer love is unnatural, but because it is radically, beautifully ungovernable.

To truly understand homophobia is to see it not as a personal failing or an ugly opinion—but as a system designed to control how all of us live, love, and express who we are.

And the more we dismantle it, the more room we create for everyone to breathe.

Movies, Memory, Magic

I was just browsing through some old eighties films—yes, even the cheeky ones—when a name suddenly flashed across my mind: Sheena. It’s funny how a single flicker of memory can transport you across decades, straight into the heart of your childhood. I found myself right back where I used to be at nine years old, sprawled in front of the television, eyes wide with wonder. Was that a female version of Tarzan, riding a zebra? Of course, it wasn’t a zebra, as I grew to find out. It was a horse painted with stripes. Poor thing, I think now, but back then – a whole different sense of wonder.

It was around that time I saw Anne of Green Gables for the first time—a story that nestled itself quietly but firmly into my imagination.

Those moments, those films, stayed with me. They’re not just entertainment; they are time capsules, gentle reminders of who I once was, and perhaps still am. Some people say memories make you look back in regret. I wouldn’t know—because without mine, I wouldn’t know who I am.

They shaped me. Moulded the values I still carry.

As a child, I believed in good things. Honour. Love. Trust. The quiet power of being a good human being. And sometimes, just sometimes, I wish I had never grown up. There was a kind of clarity in those days—a sense of wonder that made even the most ludicrous films feel profound. Looking back, I realise that even the silliest movies taught me something. They helped me connect with myself, define my likes and dislikes, and understand what moved me.

Growing up didn’t take that away. If anything, it deepened the meaning. But I often look over my shoulder at the younger me with a quiet smile—grateful for the dreams, the stories, and the belief that goodness mattered.

Because it still does.